Tony Harrison's Adaptation of Phaedra's Moral Conflict: <i>Phaedra Britannica</i>

This essay sets out to discuss Tony Harrison's play Phaedra Britannica (1975) by drawing primarily on Linda Hutcheon's views as expressed in her theory of adaptation and Harrison's own insights into adaptation. In this discussion, Phaedra Britannica as an adaptation of Jean Racine's Phedre (1677), is understood as the outcome of an evolutionary process which started with ancient cultures and, at the same time, as an autonomous work. In order to make the story of Phaedra relevant for contemporary audiences, Harrison sets his play in a colonial context, during the British occupation of India. This essay addresses the adaptation of the play through the moral conflict associated with the story of Phaedra, a woman in love with her stepson Hippolytus, with a focus on shame and guilt. Throughout the centuries, these moral concepts have played a significant role in the story. The culture in Racine's Phedre has been described as one dominated by guilt, but in Harrison's play a return to the shame culture depicted in Hippolytus by Euripides can be observed. Unlike Euripides, who is ambiguous about the role of gods, goddesses and fate, Harrison makes it clear that the characters' attempts at assigning blame to other people or to the gods of the colonised territory is simply their way of deflecting responsibility for the tragic events.

Dergi

LITERA-JOURNAL OF LANGUAGE LITERATURE AND CULTURE STUDIES

Yıl

2022

Cilt

32

Sayı

1

Sayfa

84-103

ISSN

1304-0057

eISSN

2602-2117

DOI

10.26650/LITERA2021-895098

WoS UID

WOS:000839331700005